Úrsula has managed to move finely between neoclassicism, ambient, minimalism and, enclosed, certain contemporary reminiscences. They have made a simple language which only object is to transport the public across a path replete with sensations in which their participation is going to be indispensable, establishing one dialog sutil and accurately between the musician and the listener. As one of their models, Henry Górecki, Úrsula do not walk among complicated harmonys and have managed to absorb the essence of Béla Bartók's neoclassicism.

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